Different dulcimers

Different dulcimers
some examples of the dulcimer

Friday, March 7, 2014


Dulcimer Project: week 6

I have been staying pretty diligent in my playing. However, my ability has seemed to have plateaued.  Of course one of the issues with learning anything is the progression. I am reading Sudo’s “Zen Guitar” and he mentions this. According to Sudo we tend to forecast or anticipate the end goal when we should be focusing on the moment. The holistic and organic nature of creation should be the goal for the moment, as in finding one’s own sound.

What I about to describe is somewhat difficult to anyone that may not play a string instrument or have attempted to learn. However, I will do my best to translate.

When I first started playing the notes on the page, each note represented a finger movement. That is to say, when I saw a note I cognitively transmitted this information to my finger and my finger pressed down on that note: fantastic right? Check that one off the list. However, it further attempts to play in an advanced fashion has proven to be difficult. Why? Because you can have three or four fingers resting on the same string as long as it fits within the framework of the sequence of notes.

That is to say, if I am playing a 24232 sequence, my finger never has to leave the second fret, I can then manipulate the remaining chords without taking my finger off the fret itself. This may seem logical and simple for most persons. However, I thought it was a significant breakthrough. You see, as before, I would tend to shuffle and lift my finger off the chord EVERY time I saw a chord. This made it very difficult to maneuver from one chord to the next.

So I told a friend who plays guitar that I was working on this project and starting laughing and said that I will have many more breakthroughs like this in the forthcoming months. This is exciting news. He said that it was part of the natural process and that I should just enjoy what I am doing, solidified both Sudo and my current mental state.

Some people may ask me why I hadn’t told him before. The answer would be “criticism” or the fear that someone may criticize the work that I am doing. It is the internal voice, that cruel bastard that tells you that it is not good enough, fast enough, or even that it may be impossible. This fear of being judged is a tremendous hurdle when it comes to the journey of creativity. In addition, it is the perfectionist in me that tells me I shouldn’t let anyone know until I have made significant strides in mastering the dulcimer.

This practice has been a crutch for most of my adult life. Indeed, this habit was started when I began to draw and paint. You see, creating this world where I was in complete control gave me the ability of empowerment when I didn’t have any. It allowed me to see the world and its possibilities without the external judgment. The judgment itself was one that I was trying to escape. Therefore, it makes perfect sense that I would be guarded and unable to relinquish my work or even discuss it prior to its completion.

This is something that I am working on, but seems almost impossible to accomplish. See , even here I am using defeatist language in support of not achieving my goal . I could certainly take this internal thought out of the context of the blog. However, I think it is necessary to keep it more of a free flow and not rely on self-editing to conflict with the process itself.

This is it for now. I am moving forward and will catch up with all of you later. Thank you for your time and have a wonderful and productive-or not productive day.

 



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